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CIMA da Conegliano Incredulity of St Thomas with Bishop Magno oil painting


Incredulity of St Thomas with Bishop Magno
Painting ID::  86706
CIMA da Conegliano
Incredulity of St Thomas with Bishop Magno
Date c. 1505(1505) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 151 cm (59.4 in). cjr

   
   
     

CIMA da Conegliano Baptist and Mary Magdalen oil painting


Baptist and Mary Magdalen
Painting ID::  87404
CIMA da Conegliano
Baptist and Mary Magdalen
between 1511(1511) and 1513(1513) Medium Oil on wood cyf

   
   
     

CIMA da Conegliano Madonna of the Orange Tree oil painting


Madonna of the Orange Tree
Painting ID::  87819
CIMA da Conegliano
Madonna of the Orange Tree
1495(1495) Medium tempera and Oil on panel cyf

   
   
     

CIMA da Conegliano Madonna of the Orange Tree oil painting


Madonna of the Orange Tree
Painting ID::  88566
CIMA da Conegliano
Madonna of the Orange Tree
1495(1495) Medium tempera and Oil on panel cyf

   
   
     

CIMA da Conegliano St Jerome in Wilderness Cima da Conegliano oil painting


St Jerome in Wilderness Cima da Conegliano
Painting ID::  88853
CIMA da Conegliano
St Jerome in Wilderness Cima da Conegliano
Oil on canvas transferred from panel, 48 x 40 cm Washington, National Gallery of Art Date about 1500-1505 cyf

   
   
     

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     CIMA da Conegliano
     Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

     Related Artists::.
     | Andrei Ryabushkin | Antoine Rivalz | Pierre Auguste Pichon |


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